The Hermetica
Print detail — every line holds at full size

The Emblem Shelf

Hypnerotomachia Poliphili: The Triumphal Car

A chariot of the gods, with its escort.

Work
from Hypnerotomachia Poliphili
Maker
Attributed to Francesco Colonna; anonymous woodcut
Date
1499
Source
The Metropolitan Museum of Art · scan: Wikimedia Commons

Format

The full-resolution scan, color-managed to the source plate — yours to print, study, and explore.

Size

$29.00

The story

Under the heading Triumphus, a heavy carved chariot rolls past, escorted by marching figures holding up standards. Poliphilo sees a series of such triumphs in his dream, each one a pageant of the loves of the gods. The woodcut comes from the Hypnerotomachia Poliphili, Venice, 1499, printed by Aldus Manutius in the roman type that still shapes book pages today. The artist is unknown, the author probably the friar Francesco Colonna, and the book is a dream from start to finish.

See it on your wall

The plate, in your home

Hypnerotomachia Poliphili: The Triumphal Car printed large and framed, hung in rooms like yours. Every edition ships ready to become the piece the room is built around.

Hypnerotomachia Poliphili: The Triumphal Car framed on the wall
Hypnerotomachia Poliphili: The Triumphal Car framed on the wall
Hypnerotomachia Poliphili: The Triumphal Car framed on the wall
Hypnerotomachia Poliphili: The Triumphal Car framed on the wall

About this reproduction

  • A faithful reproduction of a public-domain plate — from Hypnerotomachia Poliphili (1499), held by The Metropolitan Museum of Art · scan: Wikimedia Commons. The work was published before 1931 and is centuries out of copyright.
  • Printed to order on 200gsm EMA matte art paper; framed pieces sit behind acrylic, no mat.
  • Color-managed to the source scan; we correct nothing and invent nothing.
  • Ships in 5–10 business days, rolled in a heavy-wall tube (framed pieces ship flat-packed).
  • If it arrives less than perfect, we reprint or refund — your choice.

Why our plates cost more than a poster: we print from the highest-resolution scans available, at sizes where the engraving itself becomes visible — the emblem line, the letterpress bite, the registration of colour — on stock made to outlive its owner.