The Hermetica
Print detail — every line holds at full size

The Alchemical Cabinet

The Drowning King

The old king undone, so something new can be drawn out.

Work
from Splendor Solis
Plate
The Drowning King
Maker
Attributed to Salomon Trismosin
Date
c. 1582
Source
British Library, Harley MS 3469 · scan: Wikimedia Commons
The Drowning King

Format

The full-resolution scan, color-managed to the source plate — yours to print, study, and explore.

Size

$29.00

The story

A crowned king sinks to his neck in a dark marsh, one hand raised, while a rescuer reaches from the bank. In the language of Splendor Solis this is the dissolution — the old king, the base matter, drowned and undone so that something new can be drawn out. Painted around 1582 in the manner of a Netherlandish miniature, the scene sets its violent alchemical meaning inside a mild pastoral landscape, all soft hills and careful trees, the border around it teeming with flowers. It is one of the manuscript's most memorable images: catastrophe rendered with the tenderness of a devotional page.

See it on your wall

The plate, in your home

The Drowning King printed large and framed, hung in rooms like yours. Every edition ships ready to become the piece the room is built around.

The Drowning King framed on the wall
The Drowning King framed on the wall
The Drowning King framed on the wall
The Drowning King framed on the wall

About this reproduction

  • A faithful reproduction of a public-domain plate — from Splendor Solis (1582), held by British Library, Harley MS 3469 · scan: Wikimedia Commons. The work was published before 1931 and is centuries out of copyright.
  • Printed to order on 200gsm EMA matte art paper; framed pieces sit behind acrylic, no mat.
  • Color-managed to the source scan; we correct nothing and invent nothing.
  • Ships in 5–10 business days, rolled in a heavy-wall tube (framed pieces ship flat-packed).
  • If it arrives less than perfect, we reprint or refund — your choice.

Why our plates cost more than a poster: we print from the highest-resolution scans available, at sizes where the engraving itself becomes visible — the emblem line, the letterpress bite, the registration of colour — on stock made to outlive its owner.